‘Dystopian novels have certainly come to the fore in childrens’ literature, lately. And this is one of the best. In a carefully crafted and evocative story,

Forde has created a world yet to come that is powerful, mesmerising and chilling. The reader moves through this world in a dream-like state, as if taken in by a gentle nightmare … Letta looks to her own future with both courage and confusion, trying to make sense of a world in which nothing is obvious. Her very nature sets the tone for the entire story. The character of John Noa is not one of a clear-cut ‘bad guy’ megalomaniac … This is the real beauty of this novel. In so many circumstances, the opportunity to put forth a world-view, an agenda is left off, while the reader is kept in an astute, thought-provoking state by a story that will not let go.But the real star of this tale is language itself; the power of language. The gift and the love of language and its’ ability to shape the world (for good or bad) shines through in every detail. The fact that The Wordsmith is written for an audience that would be slightly younger (I would say 10+) than the typical dystopian readership is a wonderful gift. The writing is clear and purposeful. The ideas are easy to follow and deliberate. It is filled with reality and illusion. The ending is satisfying, yet left with an openness that begs the reader to consider further. And the entire book reads with a fluidity and dedication that make this book one that you will return to again and again. Thoroughly unique in its approach and simply stunning.‘– Mary Esther Judy, Children’s Buyer, Dubray Books

‘An exciting fiction debut combining a strong narrative voice with an excellent storyline. As she grows into the story, Forde’s confidence as a storyteller grows to such an extent that the narrator disappears completely from the page and the reader becomes totally absorbed in the story. Not only is the book a most enjoyable experience for the reader, it adds a new bright star to the pantheon of Galway children’s authors. Here’s hoping we don’t have to wait too long for the next magical journey.’ – Des Kenny, Kenny’s Bookshop

‘I was hooked from the beginning – I loved the concept of this book, the joy it takes in language, the way words are collected and savoured … 

The discussion in the book about the value of the arts, about their ability to disrupt and say important things (with and without words) is an important and well argued one.’ - Zoe Toft, children’s books reviewer

‘This book is important because it targets the dangers of global warming and the power of communication, love and expression. Without these words that we have, our lives would be unimaginably different. I would definitely recommend this book to all keen readers out there.’

– Cleopatra, Guardian children’s books site young reviewer.

‘The Wordsmith is a gripping dystopian read that will make the reader think about the role and importance of language in their own life … World building is a real strength of this novel, the society is richly crafted and vividly described. The narrative is compelling, building up to a dramatic conclusion.’ – Jenny

Duffy, children’s books reviewer (The Books, the Art and Me ‘Forde’s concept of an apocalyptic world repressed of language both original and superbly done… Forde’s writing is beautiful…and as the book reached its conclusion, the tension was so high Moontrug had to read the last few chapters pacing

the room. A fantastic book – original and fierce – and Moontrug is looking forward to what Forde has in store for us all next…’

– Abi Elphinstone, author and children’s books reviewer (Moontrug blog)

‘Very impressive debut set in a dystopian future. Letta is a great heroine – kind, compassionate and brave. Forde’s world is very real and well built and the writing is superb. The book has some very interesting things to say about religion, the environment, art, power, and of course, language. I loved it!’

– Kieran Fanning, author